“Why doesn’t every writers group put together an anthology?”

The question took me by surprise. I was standing on the second floor of the Plaza Hotel in New York City the evening before the opening of Book Expo 2010, when literary agent Gareth Esersky inquired, shaking her head. I was there representing the Bethlehem Writers Group in accepting two Next Generation Indie Book Awards--Best Anthology and Best Short Fiction--for our anthology, A Christmas Sampler: Sweet, Funny, and Strange Holiday Tales (available from IndieBound, Amazon, and Barnes and Noble).

My flippant answer was that there are laws against homicide.

If I hadn’t been so surprised by the question, I might have given a more thoughtful response. After considering the matter a bit, I think the answer is that putting together an anthology requires a great deal of dedication and patience, a variety of talents, and hard work by every member of the group. It isn't easy.

Authors of A Christmas Sampler
Standing: Emily P. W. Murphy, Paul Weidknecht, Will Wright,
Cindy Kelly, Ralph Hieb, Carol L. Wright, Courtney Annicchiarico
Seated: Jeff Baird, Carol A. Hanzl Birkas, Jo Ann Schaffer,
Sally Wyman Paradysz

Our group had already beaten the odds by thriving for over three years. Many writers groups find it hard to sustain a compatible and dedicated membership for such a long period of time. Our group included writers of various genres and levels of experience--hazardous to a group’s long-term success according to conventional wisdom. We were at various stages of life--from recent college grad to retired--and our personalities didn't always mesh well, but we'd found ways to reach accommodation. Through our biweekly meetings and group challenges, we'd established a rapport, a friendship, and a group identity. We were a family of writers. Publishing an anthology didn’t look like such a big leap for us . . . until we got started.

We decided to go for it in the summer of 2008, setting a publication goal of September, 2009. We thought we had plenty of time. Our first task was selecting a theme. But how do you create an anthology that incorporates children’s stories, sardonic satire, paranormal, fantasy, literary fiction, mystery, memoir, light romance, and more? 

Ultimately our location in Bethlehem, Pennsylvania, nicknamed “Christmas City, USA,” gave us the direction we needed. We would compile Christmas stories. With that decided, we went to work writing our stories, each following his or her own muse. 

We brought early drafts of our stories to group meetings. Some went for a sentimental approach.

“Too schmaltzy,” one member complained.  

“But it’s a Christmas book,” the author argued. “It’s supposed to be sweet.”

“That doesn’t mean it has to be saccharine,” the first lobbed back.

When another author brought a cynical Santa story, and a third offered a vampire tale, our children’s writers must have wondered whether their stories would make the cut.

Somehow, by early spring of 2009, we had twenty-three stories of various lengths that the group voted to include in the anthology—with every author represented.

Then came the task of finding a title for such an eclectic collection. After about a hundred suggestions, we finally settled on A Christmas Sampler: Sweet, Funny, and Strange Holiday Tales. (And we all knew which ones were strange.)

We celebrated our accomplishment, not realizing that the hardest work still laid ahead, requiring talents most writers don’t possess. These included copyediting, layout, cover design, bookkeeping, and the author’s least favorite: marketing. At times it seemed overwhelming.

We were lucky that two of our members had publishing experience. One did copyediting, while the other had the artistic talents, and the required software, to create our cover and do our layout. (She even made the quilt in the background on our cover.) Time was short, and there was more to do than we realized. Tempers frayed as we tried to learn new skills and create a professional-looking product. After a lot of hard work, trial and error, doing and re-doing, we sent our files to the printer in June. By the middle of August, we held the book in our hands.

We sent copies out for reviews, but learned that many places required a review copy three months ahead of the publication date or payment of a fee. We were too late and too broke by that point to get pre-publication reviews. Undaunted, we determined to create our own buzz.

With the help of friends in newspaper publishing we put together a marketing plan, press releases, and promotional materials. We started to see some interest through online retailers, but we had gone with print-on-demand, and found it next to impossible to get our book into the chain stores, even though our group then held its meetings at a Barnes and Noble.

Undeterred, our authors spread out, setting up dozens of book signings at libraries and independent bookstores. We became our own distributors, dealing with deliveries, invoices, and discounts, but we didn’t get any returns. With many authors we could be in several places at once. One indie bookstore had us back for three signings in our first holiday season. And we knew that a Christmas book was something we could continue to market year after year.

We entered two contests, the Indie Book Awards, where we won for best anthology and best short fiction, and the DIY book awards where we won honorable mention in the anthology category. It was a delight to update our cover to include our gold award seal.

Since then we have continued to come together for our regular meetings, and welcomed new members into our group.  For some of our members, publication in A Christmas Sampler satisfied their writing goals, and they have moved on to other pursuits. For others, however, the anthology was just a step in their writing careers. Will Wright, has a fantasy novel and short stories published on Smashwords (http://www.smashwords.com/books/search?query=will+wright). Carol Birkas has published a children’s book that her daughter illustrated. Several others have full-length manuscripts that they are ready to shop to agents. Still more have added short stories, articles, contest wins, and writing awards to their credits.

As a group we have expanded our endeavors to include publication of a literary magazine, BethlehemWriters Roundtable, to enhance our platform and offer members and nonmembers an opportunity to publish short stories. Continuing our goal of encouraging writers both locally and beyond, we are offering a Short Story Award with cash prizes and offers of publication for the winners. 

The publication process was stressful, but what might have torn some groups apart, drew us together. In 2010 we once again launched a group effort to promote our book at book signings and author events, and repeatedly heard another surprising question: “When is your next book coming out?”

At first the idea sounded more like a punishment than an opportunity, but time has passed. They say that parents have their children two or more years apart because it takes that long to forget the pains of sleepless nights and endless diaper changes. It has taken us three years to decide that our anthology needs a younger sibling. Having forgotten the pain and remembering most of the joys of the past, we are currently developing a new anthology—this one is for any time of year. It is tentatively entitled Seasonal Pursuits: Sweet, Funny, and Strange Tales, and has an anticipated publication in the fall of 2012.  Like many second-time parents, we’re doing things a little differently, and hopefully even better this time around.

Now in the 2011 holiday season, we’re again enjoying book signings while meeting deadlines for submissions for our new anthology. We’re very busy, but perhaps that’s part of why we’re still here. Our authors are continually engaged.

At this point, we don’t know how many “children” we’ll choose to have, but we expect to enjoy them all, and hope that readers will, too. 

(A version of this blog entry was originally published on savvyauthors.com)

A Cozy by Any Other Name . . .

For a while now, I have been happily telling people that I am writing a cozy mystery. My story meets all the usual criteria: a puzzle to solve, an amateur detective (i.e. not a police officer, private detective, medical examiner, or other professional), a small town setting, a lack of gore and violence, no explicit sex, and an emphasis on plot and character instead of action. I thought I was pretty safe with declaring "cozy" to be my subgenre.

But recently I have been in touch with other authors who have set me straight. "Cozy," they tell me, is no longer the word-of-choice to describe what I am writing. Cozies get a bad rap for being simplistic fluff. Writers of other mystery genres quietly look down on cozies, I'm told, while writers of literary novels look down on mysteries. In order to retain a more respectable position in the hierarchy, cozy writers, they tell me, should claim to write "traditional" mysteries.

Traditional vs. Cozy. What's the difference?

At a recent writers conference, an editor said that her house publishes traditional mysteries, but not cozies. Where, I asked her, does she draw the line between the two? She wasn't able to articulate it. So I have made an effort to compile a list of criteria most often cited as distinguishing one from the other.

• I have heard that a cozy is almost always a part of a series, while a traditional mystery may be, but might not. (Isn't that the same thing?)
• Some say that a cozy must include a craft, recipes, talking animals or the like, while others say that while such books are definitely cozy, those elements are not required for a book to fall into the cozy category. (Dame Agatha did not include any of the above, yet she is considered the mother of the genre.)
• A cozy, some argue, has a female protagonist, while a tradition mystery can have either a male or female protagonist. (Is it me, or is that just sexist?)
• It is said that the protagonist in a cozy must be likable, whereas the protagonist in a traditional mystery might be more damaged. (Don't all protagonists need flaws?)
• The mood in a cozy, some suggest, is more apt to be light-hearted than in a traditional mystery. (Simplistic fluff? Hardly true of the cozies I've read.)

I seems that most of these distinctions are in shades of grey, rather than real differences. Perhaps there is no real line between the two, and this labeling has little to do with what we write. Both involve amateur detectives working on a puzzle, usually in a closed community. Both have to play fair with the reader, avoiding the deus ex machina ending. Both are supposed to have Good win against Evil in the end. So why call them by different names?

I am told, one must be very careful about how one describes one's work. For instance, a writer told me that "amateur detective" is no longer the favored term; I should call my protagonist an "accidental sleuth." I guess that sounds more traditional.

My work has no recipes, crafts, or talking pets (but I read those that do). My non-professional female protagonist is curious, intelligent, and a bit damaged. It is set in a small town with, I hope, a cast of interesting characters. I don't write humor, but it has its lighter moments. I hope it will be a series.

So what am I writing?

A traditional cozy.

What do you think? Is there a difference between a "traditional" and a "cozy" mystery, or are these distinctions without a difference?

An Interview with Jessie Crockett

The title of Jessie Crockett's debut novel with Mainly Murder Press, Live Free or Die, is the state motto of New Hampshire, and her book embodies all that we've come to expect of a good New England cozy mystery. The protagonist is the widowed postmistress of tiny Winslow Falls, NH. In her day job, she hears all the town's gossip, which helps her solve a mystery in her other life--as a volunteer firefighter suddenly in charge of an investigation of a spate of unexplained fires. In the ashes of the latest, she found the body of one of the town's most beloved citizens. When a tall, red-bearded, state fire investigator arrives to help unravel the mystery, sparks of another sort fly. 
Her book is available at Amazon, Smashwords, Barnes & Noble, and IndieBound, among other outlets.  I'm happy to welcome Jessie to my blog today.

CLW: Hi Jessie. Having grown up in New England, and having spent a lot of time in New Hampshire, I really enjoyed the setting for your book. How did you make it seem so believable?

JC: I've lived in New Hampshire since I was a young child. My parents and all my extended family are from Maine so my own experience is centered around New England. I think it also comes down to the fact that I was very shy until I became an adult.  Shy people tend to be hyper-aware of their surroundings. And they are natural observers because they are usually on the outside of what is happening.

CLW: Your protagonist, Gwen Fifield, is the town’s widowed postmistress and a member of the volunteer fire department. What a combination. Is she based on anyone you know?

JC: My husband and I bought a home in a very small New Hampshire village sixteen years ago. The first person I met in town was the postmistress.  She was kind, helpful and friendly. I came to value not only her friendship but the everyday things she did to grease the social wheels of our tiny community. The time finally arrived a few years ago for her to retire. The long string of temporary replacement postmistresses we were sent did not fill her shoes. I was heartbroken and decided the only way to get my beloved postmistress back was to make one up. Gwen's best qualities, those of wisdom and community-mindedness, are very much shared by the real life postmistress from my village. The rest of the story, faithless husbands, difficult sisters, and arguments with local law enforcement, are entirely from my imagination. 

CLW: You have a large cast of characters, all with a variety of motives that keep us guessing throughout the book. How did you keep them all straight as you plotted your mystery?

JC: I'm glad to hear I kept you guessing! Keeping my characters and their motives straight never gives me any trouble. When I am writing I feel like I am in the story. I can see and hear the characters. When things are going well, writing about them feels like transcribing a memory instead of like I am making things up. If I don't feel that way I stop because I realize I am off course. That being said, what I do have trouble with is the order of events. I know everyone and why they do what they do, I just don't always remember when they do it.  

I write in scenes and when I was writing Live Free or Die I used one sticky note for each scene. My office has a flat chair rail running all the way around it. I used it as a timeline for the scenes and would rearrange them on it until everything was finally in the right order. Some of the sticky notes completely lost their stick from being repositioned so many times. I would find myself with plot holes created by actions out of order and clues Gwen could not possibly have found when she did. I even had her live one day twice and then skip another by accident. Now I have a giant sheet of glass mounted to my office wall and I write on it with different colored markers which seems to be working at least as well as the sticky notes.

CLW: The romance between Gwen and the state fire investigator, Hugh Larsen, is especially endearing.  We’d love to see more of him, too. Are you planning a series?

JC: I am writing a series. The second is underway right now and I plan to have it completed by April 1. I don't have a release date yet, but I what I do know is the title: Body of Water. The community will face flooding as well as interest from a large corporation wanting to set up shop in Winslow Falls. Gwen and Hugh will be back along with Augusta, Clive, Winston, and Ray, as well as a bunch of new faces around the village.

CLW: What drew you to writing a traditional mystery? Have you written in other genres?

JC: The first chapter book I ever read was The Bobbsey Twins at the Seashore. I was so proud of reading a book that seemed so grown-up I think I automatically associated mysteries with pleasure. I love to read in many genres but at this point I prefer to write mysteries. I like the structure of it and the commitment to the reader to stay within the rules while misdirecting their attention. I also like that most mysteries can be counted on to provide a story with a satisfying ending. So much of day to day life remains undone. There is always more laundry to do, more meals to cook, more loose clapboards to nail back onto the house. Usually, in a mystery, at the end you feel it is complete.

CLW: What was the hardest part of writing your mystery?

JC:  First drafts are my biggest challenge. I've heard a lot of other writers talk about how much they hate editing and going through all the drafts necessary to polish work. I prefer rewriting. I feel like I can fix a mess. What is harder, for me, is to make one in the first place. The first one third to one half of the manuscript is the worst. Once I've gotten through that, I start to know what the story really is about and then I sail on through to the end. It's a lot like knitting. The first several rows of any project are hard to hold onto and don't look at all like what the piece will become. You stop and start and maybe even change needles as you get a feel for what works for this particular project and what doesn't. But before long you catch the rhythm and everything becomes a pleasure. 

CLW: Can you tell us how you found your publisher?

JC: I belong to The Guppies, which is the internet chapter of the Sisters in Crime. The Guppies main function is to provide information and support for, as yet, unpublished mystery writers. Someone in the group sent out an email mentioning Mainly Murder Press being open to submissions. I sent in Live Free or Die and was published nine months later.

CLW: Was there anything about the publishing process that surprised you?

JC: Belonging to groups like The Guppies and Sisters in Crime really helped to prepare me for what the process of being published would actually entail so I wasn't really surprised by much other than my own reaction to the realization I was about to join the ranks of the published. I floated around on a cloud of pure joy for months. 

CLW: Now that your book is out, do you have any advice for emerging writers?  

    

JC: Have fun. Enjoy the process of discovering how you work best and the voice you like to use to tell your stories. If you want to move from being pre-published to professional you need to behave like a professional. This means understanding that professionals in the industry, such as agents and editors, know their markets and are not rejecting you personally if they are not interested in your work. If you want to succeed I suggest you limit feelings of bitterness and self pity to one fifteen-minute session weekly. I like Friday mornings between 6 and 6:15. I usually forget and then I have to stay in a positive frame of mind for another week. I also love the advice my husband gave me the day I had received my eighth rejections in seven days: Chin up, pen down.

CLW: Great advice. Thanks for joining us today, and best of luck with your writing career. 

If you enjoy a good New England cozy mystery, be sure to pick up a copy of Jessie's book Live Free or Die. 

To E-Book, or Not to E-Book

I am a book lover, as are most of my friends. Like them, I like the feel of a book in my hand, the scent of the paper, the touch of the page. I like being able to flip back and forth in a book, rereading a passage, checking a fact, and somehow knowing where on the page I first read it.

You can't get quite the same experience from an e-book. In fact, many book lovers believe that reading an e-book is a sort of sacrilege. I understand that. Really, I do. But . . .

I make no apologies. I own a Kindle. In fact, we are now a four-Kindle family--and we love them.

Since our house already has bookshelves lining nearly every wall, and each bookcase is stuffed with books that overflow into stacks on the floor, by the bed, on top of the desk, and on every table or other flat surface, the idea of getting a book without having to store it somewhere is pretty attractive. It is especially wonderful as an option for those books I know I will only read once. You know the kind. They are the ones that you gobble up like potato chips, but do not need to preserve for posterity--or even pass along to a friend.

And the Kindle is wonderfully portable. I took it with me to the doctor's office yesterday, and it helped me pass the time (over an hour and a half altogether) spent waiting to see someone. Normally, I would bring a book, but with an hour and a half, what if I had finished the book, and all that was available to me were old copies of People magazine? With the Kindle, I carried many books with me, and could get more almost immediately if needed.

Best of all from my husband's perspective, when I read the Kindle in bed, the book light doesn't flash in his eyes, nor does the paper rustle, every time I turn a page. And the cat cannot pull the bookmark out of place. It's not that I have abandoned purchasing traditionally-published books, but I am happy to be among those reading e-books as well.

Yet, it seems everywhere I look these days, people are writing about the end of publishing as we know it. According to the apocalyptic predictions, because of e-publishing the traditional model is dead. Soon, no books will appear in hard copy, bookstores will close, publishers will no longer offer advances to authors, and, worst of all, unknown authors will never get a contract to have a book published.

It sounds a bit hysterical when one considers that e-books currently make up about 3% of the book market. For a few years there weren't many e-book readers out there, but in the past six months both the Barnes and Noble Nook and the Apple iPad have come out, making it likely that the number of e-book buyers will increase. Publishers Lunch, a daily email newsletter, has devoted several columns to this question. In one, it noted that "Stephen King sees 40% of fiction and 25% of non-fiction sales as e-books," by 2019. [December 28, 2009] Still, does that mean that the publishing world is coming to an end?

If you have been following the juggling for position among publishers and sellers of e-books over the past few months, you know that the industry is having a hard time adjusting to its new pressures and opportunities. The price of e-books, discounts to sellers, the agency model, and author royalties are all a concern to agents, authors, and consumers as well.

Perhaps the book industry should read the book Who Moved My Cheese? by Spencer Johnson. It offers perspective on adapting to change in work and in life.

Ironically, it's not available as an e-book.